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Ellison's classic 1952 novel is about a black man from the South who travels to New York City in the 1930s. He becomes involved with the Communist Party, but is soon disillusioned: the Communists see him not as a person but as a symbol of oppressed humanity, as does the Black Nationalist Group he encounters. This inability of a blind and hostile society to value him for himself, rather than as a projection of the ideas of others, is the recurrent theme of the novel, which becomes more and more surreal as the nameless narrator continues his quest for identity. Ultimately, this is an existential statement, permeated with the author's ironic perceptions about the absurdity of human existence.
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